The last few rehearsals, we wind up working on Lollapalooza at the very end of our rehearsal. I find this an interesting tactic, because we're starting to get tired, and then throws us into one of the most challenging pieces on our program that requires the most attention.
No one ever said being in a band was easy. And I guess that's why we have rehearsals.
Although, one of my conductors in middle school once said, "There are no rehearsals, only concerts." Meaning, of course, that you need to bring your A-game to each rehearsal, but come on. We all make mistakes.
John tells us at the end of each time we get through Lolla that we are making progress, but it's hard to hear. I think, again, for me, at least, I'm so focused on my own part that it's hard to understand how this all fits together or if it even sounds cool at all.
I am putting all my faith in the fact that John said he was blown away by this piece when he heard it. I'm also counting on the concert getting closer and closer, when I know I'll have excerpts of it in my head at any given moment.
Thursday, October 16, 2008
Thursday, October 9, 2008
Pictures: Gnomus
We're working away on Pictures at an Exhibition, and specifically on the timings in the first real "movement", Gnomus. This movement is representative of a sketch depicting a little gnome, clumsily running with crooked legs. Musically it's captured through quick bursts of notes, sustained notes and pauses with cut offs.
Essentially, this means a lot of communication with John. Seeing how fast he starts, seeing when he wants the long notes to cut off, and seeing when he starts again after a caesura. It's a lot of eye contact and knowing exactly how to execute the style.
We started and stopped several times - the opening 5 measures, that is. After which John said, "All I can tell you is try and watch and figure out what I am doing."
Hopefully in a few weeks I'll have a better report. But now we're kind of fumbling like clumsy gnomes.
But again, that's just this clarinet player's perspective...
Essentially, this means a lot of communication with John. Seeing how fast he starts, seeing when he wants the long notes to cut off, and seeing when he starts again after a caesura. It's a lot of eye contact and knowing exactly how to execute the style.
We started and stopped several times - the opening 5 measures, that is. After which John said, "All I can tell you is try and watch and figure out what I am doing."
Hopefully in a few weeks I'll have a better report. But now we're kind of fumbling like clumsy gnomes.
But again, that's just this clarinet player's perspective...
Thursday, September 25, 2008
To wet your appetite
Since I missed this week's rehearsal and won't be able to tell you the play by play of what happened, I'll use this post to list all of the pieces we'll be performing at our upcoming concert.
Partita - Edward Gregson
Elegy for a Young American - Ronald Lo Presti
Lollapalooza - John Adams
Pictures at an Exhibtion - Modest Moussorgsky
The Padstow Lifeboat - Malcom Arnold
Can't wait to see you there, Sunday November 23rd, 3:00 pm @ Wisconsin Lutheran College's Schwann Hall
Partita - Edward Gregson
Elegy for a Young American - Ronald Lo Presti
Lollapalooza - John Adams
Pictures at an Exhibtion - Modest Moussorgsky
The Padstow Lifeboat - Malcom Arnold
Can't wait to see you there, Sunday November 23rd, 3:00 pm @ Wisconsin Lutheran College's Schwann Hall
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