Four regular rehearsals, plus a dress rehearsal before the concert. No time to get sick or mess around!
We're diving into our new friends, Arpad and Istvan. It's going to take a few more read throughs to really understand the scope of this work. It's also all totally going to change when we get to the dress rehearsal - because there's quite a bit of piano, string bass, percussion and harp we're not hearing right now. However, what we do have, I must say I mostly like. The melodies are beautiful, and there are interesting sectional juxtapositions. I think the audience is going to love it.
We're also working on polishing the other pieces. We all had a good laugh this week while running through John William's Olympic Fanfare. It started with such vigor - valiant engergy. After the fanfare, it started to drag. John cut us off and I was like, "Why are we slowing down?!" Regardless of whether John heard me, that was the reason we stopped and everyone was thinking it. He said "We're slower, because the band is getting older..." We had a nice chuckle and tried it again. It was better. But I'm still not positive it remained at the tempo it should have. I also might have had one too many cups of coffee that day.
Wednesday, February 27, 2008
Thursday, February 14, 2008
Arpad and Istvan have arrived!
Well, it's been a while. I missed rehearsal on 1/30 due to a travel mishap. We all missed rehearsal on 2/6 because of the blizzard. The break might have been worth it, because we saved another week of waiting. That's right, when we returned this week, we part of what we'd been waiting for: two movements of Jan Van der Roost's Sinfonia Hungarica - 2. Arpad and 3. Istvan.
Before you get your hopes up, you should know due to unforeseen circumstances (that are too complex for this editor to get into), we will not be performing the first movement 1. Attila. It's slightly disappointing, but we're all going to have to get over it. Afterall, Arpad and Istvan have a lot to offer on their own. I can say that already, and we've only read them each once.
If you've ever been in a band, you know how sight reading goes. It's kind of like ice skating. You're unsteady at first, and although you're propelling yourself forward, there's no real ease or grace about it. You are generally tentative. After a few strides, you get a little more confident. But then, something comes in your path - a rough patch of ice, some kid that can skate circles around you, and you fall. With the music, instead of the rough patch of ice or kid that can skate circles around you, you encounter difficult technical passages, tempo changes, key changes, etc. Each one (potentially) throwing you off a little.
I have to say, it wasn't that bad. Yeah, we stopped along the way to regroup, make sure we were all in the same place, etc. We got a sense for each one - and in talking with my neighboring musicians, we think we're really going to like these pieces. I can't fully speak for the rest of the band, but I'm not sure these pieces are that technically challenging, but they are more what we like to call "lip busters". Lots of blowing. But again, I think we'll really enjoy them when they come together. And, almost more importantly, the audience is going to enjoy this concert.
Before you get your hopes up, you should know due to unforeseen circumstances (that are too complex for this editor to get into), we will not be performing the first movement 1. Attila. It's slightly disappointing, but we're all going to have to get over it. Afterall, Arpad and Istvan have a lot to offer on their own. I can say that already, and we've only read them each once.
If you've ever been in a band, you know how sight reading goes. It's kind of like ice skating. You're unsteady at first, and although you're propelling yourself forward, there's no real ease or grace about it. You are generally tentative. After a few strides, you get a little more confident. But then, something comes in your path - a rough patch of ice, some kid that can skate circles around you, and you fall. With the music, instead of the rough patch of ice or kid that can skate circles around you, you encounter difficult technical passages, tempo changes, key changes, etc. Each one (potentially) throwing you off a little.
I have to say, it wasn't that bad. Yeah, we stopped along the way to regroup, make sure we were all in the same place, etc. We got a sense for each one - and in talking with my neighboring musicians, we think we're really going to like these pieces. I can't fully speak for the rest of the band, but I'm not sure these pieces are that technically challenging, but they are more what we like to call "lip busters". Lots of blowing. But again, I think we'll really enjoy them when they come together. And, almost more importantly, the audience is going to enjoy this concert.
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